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Pas de Chát: Talking Dance

Have you ever wanted to be a fly on the wall in a dance studio at one of the most prestigious ballet companies in the world? Or wondered what was going through Giselle's mind as she lifted her leg to her ear? There is a lot more to the politics of dance than lithe women wearing pointe shoes being hoisted into the air by men in tights. Listen in for a weekly conversation on all aspects of the professional dance world as Barry Kerollis, freelance choreographer and popular blogger, candidly shares his experiences and thoughts on the workings of the dance world as he travels the globe creating ballets, teaching future generations of dancers, and performing for audiences.
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Pas de Chát’s host Barry Kerollis is an award-winning choreographer, instructor, and dancer with over 13 years experience in the dance world. His career includes directing Alaska Dance Theatre, dancing for Pacific Northwest Ballet, and traveling the country as a nationally-touring freelance artist. He also runs the popular blog, Life of a Freelance Dancer.

Nov 18, 2016

Dance unions, like the American Guild of Musical Artists (AGMA), provide safety and protections for dancers. While helpful in resolving issues with management and negotiating contracts, they can also impose restrictions that limit artistic liberty and financial success for a company. Listen in this week as your host discusses the upsides and downfalls of dancing for a unionized company.

Pas de Chát's host Barry Kerollis is an award-winning choreographer, instructor, and dancer with over 13 years experience in the dance world. His career includes directing Alaska Dance Theatre, dancing for Pacific Northwest Ballet, and traveling the country as a nationally-touring freelance artist. He also runs the popular blog, Life of a Freelance Dancer.

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